The Best Record Cleaning Solutions: Exit to Vintage Street

Written By: 
Eric Pye
Tags: 
Share:
  •  

Ecoustics’ Eric Pye shares his best record cleaning solutions to maintain your records.

When I went to Japan as an ESL teacher in my mid-20s, it marked not only a change of location and culture, but also a change from student to working adult (and I use the term “adult” loosely). With that change from student to worker came the need to buy a professional wardrobe, and as a poor recent graduate on a tight budget, that meant careful planning of items to be purchased pre-departure.

Dress pants, dress shirts, a blue blazer, dress shoes and several ties. All good, right? Unfortunately not. I arrived in the Land of Rising Tech sans belt, socks, tie-pin/bar (discovered I hated flappy ties), and overcoat (Sapporo in April can still be pretty chilly). I had most of the basics but felt incomplete for my first month or so until I got paid and could complete the wardrobe with necessary accessories.

So too for many of us audio lovers in our adventures setting up first systems or adding to existing ones. We plan out the budget, divvy it up by percentages for speakers and amp(s) and source(s), and think we’re done. Then a few weeks (or months) later we find ourselves with multiple components stacked on top of each other on top of a turned over milk carton, speakers that don’t sound right as they’re not placed correctly and records that sound awful after a few plays as we’ve nothing to clean them with.

Record Player

This week and next I’m going to take a tour through some of the accessories I’ve picked up (and some that I haven’t – yet) since getting into vintage audio and back into vinyl. Some I’d classify as optional, but most are requirements if you really want to get the most out of your system, whether budget or high end. This week I’m going to focus on clean records and improving the quality of your vinyl playback.

A clean record sounds better. It also does something very important – it extends the life of your cartridge

Anti-Static Record Brush

The simplest record cleaner, great for dry environments, especially in winter. An anti-static brush reduces static and removes dust particles from your record before play. Mine is made by Audio Technica, but there are dozens of models out there. If you’re wet cleaning your records every few plays or on a periodic basis, the anti-static brush should be enough to keep your records pop free in between deep cleanings. It won’t clean very dirty records but is a good regular maintenance tool for your vinyl.

Antistatic Brush AT-6011
Antistatic Brush: The affordable AT-6011 does a great job.

Record Cleaning Brush

I remember that in high school my mom used a Discwasher cleaning brush, and this was one of the first accessories I picked up for myself. This is basically a directional velvet-covered pad attached to a nice ergonomic wooden body. Spray some fluid on the leading edge of the velvet pad, wipe and and twist the brush in the direction of the grooves for a few rotations, and you have a nice clean record. It will never deliver the same level of cleaning as a record cleaning machine, but it’s something. 

DiscWasher
Discwasher cleaning brush

Not required every spin, but good every few plays. The old ones (from the ‘70s and ‘80s) had a nifty hollow in the hardwood body that held the little cleaning fluid bottle. In a cost-cutting effort (no doubt), the wood is lighter and cheaper, and the hollow is no more. Still a must-have item.

Record Cleaning Machines 

There are several different solutions for serious cleaning of records, costing into the thousands of dollars. An ultrasonic cleaner (like those from Degritter or CleanerVinyl) or a vacuum cleaner (Okki Nokki and Pro-Ject VC-S are quite well known) will do a superb job but may be an investment too far for someone just getting started. VPI have been manufacturing record cleaning machines for almost 40 years with the entry-level model running almost $700. 

The Library of Congress in Washington D.C. was using the top VPI model for its work in regard to the National Archives but we’re talking about a unit that runs over $3,000 and was being used to clean thousands of records. A robust unit for sure but probably not for the average collector. 

Record Doctor VI Vinyl Record Cleaner
Record Doctor VI

Record cleaning machines are very noisy. Our Editor-in-Chief, Ian White uses both a VPI HW-19 and Record Doctor VI (we’re giving one away later this month) in his laundry room at home because it is far away from the rest of the house where it can be heard even with the television on. Both machines also have to be emptied after each batch of records; their respective reservoirs can only hold a limited amount of dirty water and cleaning solution. 

Vinyl Cleaning Solutions

There is no shortage of record cleaning fluids on the market and just as many opinions in regard to which solution cleans the best and does the least damage to your records. There are various means of applying and rinsing off the (straight or diluted) fluid and then drying the record.

I opted for a simple, manual SpinClean Mk. II record bath. At well under a hundred bucks, the price was right, and I have to say I’ve been impressed with the results. The Spin Clean has a narrow bath section, cleaning pads on each side, and roller guides at each end; fill the bath section with water, put in a capful of cleaning fluid, insert a record between the pads and spin clockwise and counter-clockwise three times each, then remove and dry with the supplied towels. Do enough records in one session and you can dispense with the daily workout.

Spin Clean Vinyl Record Cleaner
Spin Clean: Clean records and a good workout.

I buy a lot of records on Discogs, and the first thing I do when they arrive is give them a thorough cleaning. Early on I wasn’t doing this, and I had records that played at a G+ or VG level jump up a couple of grading points after I did finally give them a good bath and towel-off. This I consider one of my best accessory buys.

Stylus Cleaner

To me there doesn’t seem to be much point to cleaning your records if your cartridge stylus is dirty. Over time, any dirt and gunk you haven’t managed to remove from your records (with whatever cleaning method you’re using) gets carved out and builds up on the stylus. This in turn can result in a) reverse transfer of dirt back to your records from the stylus, and b) impact on vibration of the stylus in the record grooves and thus the sound emitted by your cartridge.

As I mentioned previously, a dirty cartridge doesn’t last very long and with re-tip prices getting rather expensive, it takes only a few seconds to carefully clean your stylus. The simplest stylus cleaning solution is a stylus brush (these cost next to nothing), but overzealous or faulty use of the brush could result in damage to the stylus. If you do opt for a brush always brush parallel to the stylus from back to front. Never the other way, and never sideways.

The Basics Won’t Break the Bank

For the vinyl lover, I’d classify all four of these accessories as essential. Having a clean front end to your vinyl system (the records and your stylus) will extend the life of both records and stylus and maximise the quality of sound transmitted to the rest of your system. A basic collection of anti-static, cleaning and stylus brushes will set you back around $50. My set of four comes in at a bit under $200. Whatever solution you settle for, a small investment now will reap rewards in the long run.

Record Cleaned and Ready to Play

Next week we’ll look at a few more accessories that, though perhaps less essential, can have a big impact on enjoyment of your audio journey. If you have any accessory suggestions, leave a comment, or message me on Instagram at @audioloveyyc.

More Vinyl Playback Articles: 5 Best Vinyl Accessories to Upgrade Your Record Listening


This article originally appeared at ecoustics.com and has been published here with permission.

Related Articles

Sort By
12th Isle
2 Tone
2020
2022
2023
33rpm
45rpm
4AD
5 Selects
5 Seletcs
7"
99 Records
A&M
Abbey Lincoln
Aboriginal
Abstract
Ace Tone
Acid
Acid Archives
Acid Folk
Acid House
Acid Mt. Fuji
Acid Punk
Acid rock
Acid Techno
Acoustic
Adrian Sherwood
ADS
Africa
African
Afro
Afro House
Afro-Cuban
Afrobeat
Alan Braufman
Alan Ginsberg
Alan Greenberg
Alan Thicke
Albert Ayler
Album Cover
Alex Patterson
Alice Coltrane
All Genre
Altec
Amaro Freitas
Amazon Music
Ambient
Ambient Jazz
ambient techno
American Primitive
Amoeba Music
Amplifier
Analog
Anatolian Rock
Andrew Weatherall
Andy Warhol
Anenon
Animal
Animation
Anna Butterss
Antonio Zepeda
AOR
Aphex Twin
Aquarium Drunkard
Archie Shepp
Archival
Armenia
Art
Art & Design
Art Dudley
Art Film
Art Pop
Art Rock
Artform Radio
Arthur Russell
Article
Arvo Part
Ash Ra Temple
Asian Underground
Audio Note
Audiogon
Audiophile
Audiovisual
Austin Peralta
Australia
Autechre
avant
Avant-Garde
Avant-pop
Avant-Rock
Avent-Garde
Balearic
Bali
Ballad
Bargain Bin
Bark Psychosis
Baroque
Baroque Pop
Basquiat
Bass
Bauhaus
Bayou Funk
BBC
BBC Radiophonic
Beat Scene
Beats
Beats in Space
Bebop
Belgium
Bennie Maupin
Berlin-school
Best of 2020
Beverly Glenn​-​Copeland
Bhutan Stamps
Big Band
Bill Laswell
Black Ark Studios
Black Jazz
Blaxsploitation
Blood & Fire
Blue Note
Blues
Blues Rock
Bob Marley
Bola Sete
Bollywood
Boogie
Book
books
Boom Bap
Boredoms
Bossa
Bossa Nova
Boymerang
Brainfeeder
Brazil
Brazilian Folk
Breakbeat
Breezy
Brian Eno
Broadcast
Bruce Weber
Bruton Music
Buddhism
Budget Audiophiler
Cabaret
Calypso
Cambridge Audio
CAN
Candombe
Cannanes
Canterbury
Cape Jazz
Cape Verde
Caribbean
Carla Bley
Cartridges
Casio
Cassette
Cats
CD
Celluloid
Chamber Jazz
Chamber Music
Chamber Pop
Chan Marshall
Channel One Studios
Chanson
Charles Lloyd
Charles Mingus
Chee Shimizu
Chet Baker
Chicago
Chicha
Chillout
Chinese
Chiptune
Choral
Christmas
City Pop
Classic Album Sundays
Classical
Classics
Clothing
Club
Cocteau Twins
Coctueau Twins
Coffee
Coldwave
Colorfield
Comedy
Commercial
Community
Compass
Compass Point
Compilation
Concept Album
Condesa Electronics
Conlon Nancarrow
Conny Plank
Contemporary Jazz
Cool Jazz
Cornelius
Cosmic
Cosmic Disco
Cosmic Folk
cosmic jazz
Country
Country Pop
Country-Rock
Covers
Cult Classic
Cumbia
DAC
Dacne
Daft Punk
Dance
Dance Music
Dancehall
Daniel Aged
Dark
Dark Entries
David Behrman
David Bowie
David Byrne
Davida
Dedicated listening session
Deep Dive
Deep House
Deep Listen
Deep Listening
Delia Derbyshire
Dembow
Demo
Dennis Bovell
Denon
Detroit
Devotional
DFA
Diabate
Diasporic Disco
Dick Verdult
Diggin in the Mags
Digi-Reggae
Disco
Discogs
DIY
DIY / Amateur
DJ
DJ Shadow
Documentary
Dogs
Don Buchla
Don Cherry
Donald Byrd
Doom Metal
Downtempo
Dowtempo
Dr. John
Dream House
Dream Pop
Dreamy
Drone
Drum & Bass
Drum Break
Drum Machine
Drum n Bass
Drums
Dual
Dub
Dub Poetry
Dub Techno
dublab
Dubstep
Dubwise
Durutti Column
Düsseldorf School
Dust and Grooves
Eames
Earl King
Early Electronic
East African
Easy Listening
Eblen Macari
EBM
ECM
ecoustic
ecoustics
Electric Lady
Electro
Electronic
Electronic Jazz
Electronica
Elegant Pop
Elvin Jones
Emahoy Tsegué-Maryam
Enossified
Environmental Music
EOY
Eric Dolphy
ESG
Esoteric
ESP Institute
Essential Listen
Essential Listening
Essential Listenning
Ethereal
Ethiopian Jazz
Ethnic
Event
Events
Exotica
Experimental
Factory Records
Faye Wong
Feel Good All Over
Fela Kuti
Fennesz
Festival
Field recording
Films
Fingertracks
Fingetracks
Fishing with John
Fleetwood Sound Company
Floating
Floating Points
Folk
Folk Funk
Folk-Rock
Fonts
Footwork
Four Tet
Fourth World
France
Frankie Knuckles
Free Improvisation
Free Jazz
Friends of ISC
Frippertronics
Frozen Section Radio
Fundraiser
Funk
Fusion
G-Funk
G.S. Schray
Gal Costa
Gamelan
Garage Rock
Garrard
Gems from the Dollar Bin
George Duke
George Martin
George Oban
German techno
Gifts
Gilberto Gil
Giorgio Moroder
Glam Rock
Glitch
Gogo
Gospel
Grado
Graham Sutton
Graphic Novel
Grateful Dead
Group Sounds
Growing Bin
Guide
Guitar
Gwo Ka
Gypsy
Habitat Ensemble
Haçienda Club
halloween
Hard Bop
Hard Rock
Harold Budd
Harp
Harry Nilsson
Haruomi Hosono
Hawaii
headphones
Heavy Metal
Henry Lewy
Herbie Hancock
hi-fi
hi-NRG
Hidden Gem
Highlife
Hip Hop
Hip-Hop
Hiroshi Yoshimura
history
Holger Czukay
Holiday
Hollywood
Holy Grail
Home Listening
House
Human Head
Hypnotic
Iasos
Ibiza
IDM
Illbient
Illustration
Improvisation
Impulse!
In Conversation
In Stock
India
Indian
Indian Classical
Indian Raga
Indie
Indie Rock
Industrial
Ingmar Bergman
Installation
Instrumental
International
Interview
ISC Classic
ISC Collection
isc guide
ISC NYC
ISC Record Store
ISC Selects
Island Records
Isolation
Italo Disco
Italo House
Italy
Jackie McLean
Jah Shaka
Jamaica
James Baldwin
Jangle Pop
Japan
Japananese
Japanese
Jazz
jazz funk
jazz kissa
Jazz-funk
Jazz-rock
JBL
Jessica Pratt
John Coltrane
John Fahey
John Martyn
John Peel
Jon Hassell
Joni Mitchell
Judee Sill
Jungle
K-pop
K. Leimer
Kankyo Ongaku
Keiji Haino
Keith Haring
Keith Jarrett
Kid-Friendly
Kim Yaffa
Kitty Records
Klaus Schulze
Klipsch
Kompakt
Kora
Kosmiche
Kosmische
KPM
Kraftwerk
Kranky
Krautrock
Kruatrock
Kuduro
kwaito
L.Shankar
La Monte Young
Labels We Love
Lafawndah
Lagniappe Sessions
Laraaji
Larry Levan
Last Resort
Laswell
Latin
Latin Jazz
Laurel Canyon
Laurie Spiegel
Leaving Records
Lebanese
Lee Scratch Perry
Left-field
Leftfield
Lena Horne
Les Baxter
Lester Bowie
Library
Library Music
Lijadu Sisters
Liquid Liquid
Listening
Listening bar
Listening Party
Listening Session
Live Performance
Live Recording
Live Video
Loose Ends
Loren Mazzacane Connors
Los Angeles
Lost & Sound
lost and sound
Louisiana Blues
Lounge
Lounge Lizards
Love Songs
Lovefingers
Lovely Music Ltd.
Lovers Rock
Luaka Bop
Mad Professor
Magazine
Mali
Mandopop
Marantz
Marcel Duchamp
Marcella Cytrynowicz
Marcos Valle
Mark E. Smith
mbaqanga
McCoy Tyner
McIntosh
Meditation
Meditational
Meditative
Melancholic
Mellow
Melody As Truth
Meredith Monk
Metal
Mexico
Miami
Michael Franks
Microhouse
Mid-Century
Miles Davis
Milford Graves
Mills College
Minako Yoshida
Minimal
Minimal Synth
Minimal Techno
Minimal Wave
Minneapolis Sound
Mixes
Mixtape
Mizell Brothers
mo wax
Mobile Fidelity Sound Labs
Modal
Modern Classical
Modern Soul
Modular Synthesis
Moki Cherry
Mono
Mood Hut
Mort Garson
Motion Ward
Motown
MPB
MTV
Munich
Music Blog
Music from Memory
Music Interior
Music Therapy
Music Video
Musique Concrète
Mwandishi
Narrative
Neapolitan
Neneh Cherry
Neo Soul
Neo-Classical
Neptunes
New Age
New Islands
New Jack Swing
New Music
New Orleans
New Wave
New York
News
Nico
Nigeria
Nightmares on Wax
Nina Simone
No Wave
Noise
Non-Profit
Northern Soul
Now Sound
NTS
Nubian Pop
Nubian Soul
Numero Group
NYC
OBI
Obscure
Obscure Sound
Occult
OJAS
On Screen
On-U Sound
online radio
Opera
Optimo
Organ
Organic
Organic Music
Ornette Coleman
Ortofon
OST
Oswalds Mill Audio
Outsider Pop
Overtone Singing
Painting
Painting with John
Pandit Pran Nath
Paradise Garage
Pastoral
Pat Metheny
Patrick Cowley
Paul Horn
Paul McCartney
Pauline Oliveros
PBS
Penguin Cafe Orchestra
Pensive
Percussion
Peru
Pharoah Sanders
Phillip Glass
Philly Soul
Piano
Pioneer
Pioneer Works
Plantasia
Plants
Player Piano
playlist
Playlists
Plinth
Podcast
Poetry
Political
Polygonia
Pop
Pop Art
Pop not Slop
Pop Rock
Popp
Popul Vuh
Post Bop
Post Rock
Post-Punk
Post-Rock
Power Pop
Premiere
Prince
Private Press
Pro-Ject
Producer
Productions
Professor Longhair
Prog Rock
Progressive
Progressive Rock
Prophet-5
Proto-techno
Psych-folk
Psychedelic
Psychedelic Rock
Psychic Hotline
Psyhedelic
Punk
Qobuz
Quadraphonic
QUARK
Quiet Storm
R&B
Radio
Raga
Ragas
Rap
Rare Groove
Ras G
Rave
rca victor
Receivers
Record Club
Record Fair
Record Label
Record Store
Record Store Day
Record Stores
Record Stores We Love
Record Stories
Reggae
Reggaeton
Reissue
Reissues
Releases
Religious
Remix
Retrospective
Robert Wyatt
Roberto Musci
Rock
Rocksteady
Roland
Roland Kirk
Rolando Chía
Roller Skate
Room Recordings
Room Treatment
Roots Reggae
Rotary Mixers
Rough Trade
Rudy Van Gelder
Russia
Ryuichi Sakamoto
Ryuichi Sakmoto
Sacred
Sade
Saint Etienne
Sam Gendel
Samba
Sample
Samples
San Francisco
Saxophone
Sci-fi
Séance Centre
Seefeel
Sensual
Serbian Disco
Shackleton
Shamisen
share
Shibuya-kei
Shoegaze
Silver Apples
Simeon Coxe
Simon Reynolds
Singer-Songwriter
Sisters with Transistors
Ska
Sly & Robbie
Smooth Jazz
Soft Rock
Solid State
Songwriting
Sonia Pottinger
Sonny Sharrock
Soul
Soul-jazz
Sound & Vision
Sound Art
Sound Collage
Sound Installation
Soundsystems
Soundtrack
South Africa
South African
South America
Southern Soul
Space Rock
Spain
Speaker
speakers
Spiritual
Spiritual Jazz
Spoken Word
Squama Records
Staff Picks
Steely Dan
Stereolab
Stereophile
Steven Halpern
Stevie Wonder
Stoner Rock
stores we love
Stories
Streaming
Street Soul
Strut Records
Studio One
Substack
Sugar Plant
Sun Ra
Sunn O)))
Supergroup
Surround Sound
Susumu Yokota
Suzanne Cianni
Suzanne Kraft
Suzanne Langille
Swamp Rock
Sweetback
SYNG
Synth
Synth Pop
Synth-pop
Synthesizer
Synthwave
Taarab
Tadanori Yokoo
Takoma Records
Tangerine Dream
Tannoy
Tape
Tapes
TD-160
Technics
Techno
Techno Pop
Tel Aviv
Television
Terry Callier
Terry Riley
The Beatles
The Books
The Broad
The Fall
The Loft
The Meters
The Mizell Brothers
The Music Center
The Orb
The World Stage
Theater
Thelonious Monk
Third Side Music
Third Stream
This Mortal Coil
Thomas Fehlman
Thorens
Tim Sweeney
Time Capsule
Todd Rundgren
Too Pure Records
Total Luxury Spa
Traditional
Tribal
Trip-hop
Trish Keenan
Tropical
Tropicalia
Tuareg
Tube
Turntable
Turntable Lab
TV
UK
UK Jazz
Ultramarine
Underground Resistance
Underrated
Val Wilmer
Vandersteen
Vangelis
Vanity Fair
Varia Instruments
Velvet Underground
Vice
Video
Video Art
Vince Guaraldi
Vintage
Vintage Audio
Vintage Gear
vinyl
Virginia Astley
Visible Cloaks
Visual Art
Vocal
Vocal Jazz
Vocoder
Wackies
Wah Wah Watson
Walearic
Wally Badarou
Warp
Water
Website
Wendy Carlos
Werner Herzog
West Africa
West African
Western Acoustics
Windham Hill
wiring
World
Wrecking Crew
Yacht Rock
Yamaha
Yann Tomita
Yasuaki Shimizu
Yellow Magic Orchestra
Yma Sumac
YouTube
Yukihiro Takahashi
Zamrock
Zither