Kathy Smith began as a fixture around the Los Angeles hippie and folk scene of the 60’s and 70’s, playing regularly at venues such as Paradox, the Troubador, along with coffeehouses around town. Eventually, she captured the attention of Richie Havens, who would release her equally rare debut album Some Songs I’ve Saved, along with the followup 2 on his label, Stormy Forest. Kathy Smith’s 2 finds the singer songwriter at her peak with jazz influenced instrumentation, arrangements featuring flutes and brass, slight funk undercurrents, and definite psychedelic overtones, topped with one of the most memorable and compelling voices in folk music.
Though Smith seemed poised for success and a likely candidate to be launched into the pantheon of female vocalist classics after a well received performance at Isle of Wight in front of 600,000 people, she eventually faded into obscurity. Meeting a similar fate as Linda Perhacs, Vashti Bunyan, and other psych-folk femmes of the era, she slipped through the cracks of the general public, though unlike the aforementioned artists, she has yet to receive a second life through a reissue treatment.
– Jocelyn Romo
Recommended – A2 It’s Taking So Long, B2 For Emile
A1 Lady Of Lavender
A2 It’s Taking So Long
A3 Rock & Roll Star
A4 Willie
A5 Fly Off With The Wind
B1 Seven Virgins
B2 For Emile
B3 Travel In A Circle
B4 Blessed Be The People
Art Direction – Norbert Jobst
Bass – Gerry Germont*, Tony levin
Congas [Conga] – Daniel Ben Zebulon
Design [Cover Design], Photography By – Mark Roth
Drums, Percussion – Bill La Vorgna*, Don Alias, Donald McDonald
Engineer [Director Of Eng.] – Val Valentin
Engineer [Eng.] – Al Manger*, B. Fox*, John Neal, John Norman (2)
Flute [Flutes] – Jeremy Steig
Guitar [& Soul] – Don Sarlin
Keyboards – Jan Hammer, Warren Bernhardt
Performer [Pa Pa Umau Maus & Insanity] – Jimmie Spheeris
Producer – Mark Roth
Remix – Dave*, John Norman (2)