Pino Palladino, Blake Mills – Notes with Attachments

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                      One of the earliest Impulse! records and one of Max Roach’s finest, Percussion Bitter Sweet takes on the struggles of the early ’60s civil rights movement with powerful, message-driven jazz infused with Afro-Cuban percussion, references to South Africa, and the unrelenting spirit of Max Roach. “Garvey’s Ghost” is, of course, a dedication to the great Black Nationalist Marcus Garvey, “Mama” is a composition for all the hardworking Black women, “Tender Warriors” is for the youth who will carry on in the struggle for equality, “Man from South Africa” is meant to “express the anxiety, frustration, and conflict involved in the struggle for independence by the indigenous South African man.”
Recommended – Full Listen
A1		Garvey’s Ghost
A2		Mama
A3		Tender Warriors
B1		Praise For A Martyr
B2		Mendacity
B3		Man From South Africa	
Bass – Art Davis
Congas – Carlos “Patato” Valeler*
Cowbell – Carlos “Totico” Eugenio*
Design [Cover] – Robert Flynn (2)
Drums – Max Roach
Flute, Alto Saxophone, Bass Clarinet – Eric Dolphy
Liner Notes – Margo Guryan
Photography By – Bob Gomel
Piano – Mal Waldron
Tenor Saxophone – Clifford Jordan
Trombone – Julian Priester
Trumpet – Booker Little
Vocals – Abbey Lincoln (tracks: A1, B2)

 
      

